{"id":5187,"date":"2020-11-19T14:57:40","date_gmt":"2020-11-19T13:57:40","guid":{"rendered":"http:\/\/friville.lobs.pro\/wordpress\/?page_id=5187"},"modified":"2026-04-05T12:43:33","modified_gmt":"2026-04-05T10:43:33","slug":"hors-collections","status":"publish","type":"page","link":"http:\/\/www.friville-editions.org\/wordpress\/index.php\/hors-collections\/","title":{"rendered":"Hors collections"},"content":{"rendered":"\t\t
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au-del\u00e0 des collections<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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2024<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"GUGLIELMETTI<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tAd Libitum de St\u00e9phanie Guglielmetti\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tLe temps ne s\u2019organise plus : il se disperse, se trouble, \u00e9chappe. Il devient mati\u00e8re instable, travers\u00e9e par l\u2019air, le hasard, l\u2019impr\u00e9visible.\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div>
\"VillejuifAaZ\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tVILLEJUIF de A \u00e0 Z de Heidi Wood\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tVILLEJUIF de A \u00e0 Z Heidi Wood EN CHANTIER COMME LA VILLE De longue date, j\u2019aime faire des portraits de villes issus d\u2019\u00e9tudes de terrain pouss\u00e9es. Mes cibles sont accessibles\u2026\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2023<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"GHP-Couv-Paysage-3\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tLa Galerie du Haut-Pav\u00e9 a 70 ans\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\t70 ans, c\u2019est l\u2019\u00e2ge atteint par la galerie du Haut-Pav\u00e9, en 2023. Pourquoi vouloir marquer cet anniversaire par la sortie d\u2019un livre sur cette \u00ab galerie pas comme les autres\u2026\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div>
\"Web-FLP-recto_BNF-copie\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tFaire les poussi\u00e8res de Samuel \u00c9tienne\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tEn picard, \"faire les poussi\u00e8res\" signifie \"balayer\". Ce geste a \u00e9t\u00e9 le\u00a0mode op\u00e9ratoire privil\u00e9gi\u00e9 par Samuel Etienne lors de sa r\u00e9sidence de recherche dans le Vimeu, autour de la commune\u2026\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2022<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Dansunfauteuil_1couv_BAT\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tDans un fauteuil de Samuel \u00c9tienne\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tCet essai, \u00e9crit dans le cadre d\u2019une r\u00e9sidence \u00e9ditoriale chez Friville \u00e9ditions (Picardie), interroge le rapport des soci\u00e9t\u00e9s de consommation aux paysages \u00e0 travers une proposition plastique originale, le payscament,\u2026\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div>
\"TourDuMondeEnTransition-Couv\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tAdTpapier 20 – Tour du monde en transition\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tCe livre documente les r\u00e9alisations de Heidi Wood depuis une dizaine d\u2019ann\u00e9es, notamment ses repr\u00e9sentations de lieux d\u00e9class\u00e9s et de collections mus\u00e9ales, mais l\u2019ensemble est revisit\u00e9 de mani\u00e8re \u00e0 incarner\u2026\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2021<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Web-PoesieAdministrative-DSC00188\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tPo\u00e9sie administrative\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tTir\u00e9 \u00e0 500 exemplaires en septembre 2021\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2019<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Web-LivreDePoc-DSC00206\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tLivre de Poc\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tTir\u00e9 \u00e0 500 exemplaires en septembre 2021\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2017<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tEpidermic\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tTir\u00e9 \u00e0 500 exemplaires en septembre 2021\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2016<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Web-InstantanesBatimentF-DSC00884\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tInstantan\u00e9s du b\u00e2timent F\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tRecueil sous forme de leporello de 18 volets, Friville \u00e9ditions,\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div>
\"LesEscaliersSontEnPapier\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tLes escaliers sont en papier\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tKaterina Christidi travaille le noir. Elle emploie les outils du peintre pour faire ses dessins.\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div>
\"Web-LesAvancesDeLArtMultiplie-DSC00361\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tLes avanc\u00e9es de l’art multipli\u00e9 (colloque)\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tRegards crois\u00e9s sur l'art multipli\u00e9 mat\u00e9riel et immat\u00e9riel du 21\u00e8me si\u00e8cle. Mars 2017\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2014<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"50+13Portraits\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\t50+13-coffret de 3 livres\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\t2 ouvrages relatent les deux \u00e9tapes du processus de cr\u00e9ation des portraits\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div>
\"AnonymesWeb\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tAnonymes\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tLeporello\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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2013<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"DSCF0846\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tLa fureur de l’\u00e9ternuement\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tLa cr\u00e9ation de ce livre est le r\u00e9sultat d\u2019un dialogue que nous avons voulu engager en se donnant pour cadre plusieurs exigences\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div>
\"Web-25Portes-DSC00230\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tVingt-cinq portes\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tisbn : 978-2-9537732-8-6\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div>
\"Web-IdentiteDeGenre-DSC00844\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tIdentit\u00e9 de genre\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\t23 artistes ont accept\u00e9 de participer \u00e0 cette aventure collective et itin\u00e9rante en France. Pourquoi 23, pas 17 ou 25, voire 29 ???\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2012<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Web-PaumesDeMains-DSC00880\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tPaumes de mains, plantes de pieds\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tTexte de Jean-Pierre Verheggen\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div>
\"Web-SouvenirsColores-Cosnefroy-DSC00079\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tSouvenirs color\u00e9s du b\u00e2timent F\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tParoles d'habitants du Petit Nanterre\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2011<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Web-Schuhe-Chaussures-DSC00358\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tSchuhe-Chaussures\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tElles prot\u00e8gent, elles sont des compagnes au go\u00fbt du jour.\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2010<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Trou-Type\"<\/a><\/div>
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tTrou-Type de Dominique De Beir\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t
\n\t\t\t\tFruit d\u2019une collaboration entre le po\u00e8te Charles Pennequin et la plasticienne Dominique De Beir est le premier ouvrage soutenu et publi\u00e9 par\u00a0Friville-Editions.\t\t\t<\/div>\n\t\t\t<\/div><\/article><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

au-del\u00e0 des collections 2024 Ad Libitum de St\u00e9phanie Guglielmetti Le temps ne s\u2019organise plus : il se disperse, se trouble, \u00e9chappe. Il devient mati\u00e8re instable, travers\u00e9e par l\u2019air, le hasard, l\u2019impr\u00e9visible. VILLEJUIF de A \u00e0 Z de Heidi Wood VILLEJUIF de A \u00e0 Z Heidi Wood EN CHANTIER COMME LA […]<\/p>\n","protected":false},"author":1,"featured_media":4750,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","footnotes":""},"class_list":["post-5187","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"http:\/\/www.friville-editions.org\/wordpress\/index.php\/wp-json\/wp\/v2\/pages\/5187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.friville-editions.org\/wordpress\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.friville-editions.org\/wordpress\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.friville-editions.org\/wordpress\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.friville-editions.org\/wordpress\/index.php\/wp-json\/wp\/v2\/comments?post=5187"}],"version-history":[{"count":236,"href":"http:\/\/www.friville-editions.org\/wordpress\/index.php\/wp-json\/wp\/v2\/pages\/5187\/revisions"}],"predecessor-version":[{"id":16214,"href":"http:\/\/www.friville-editions.org\/wordpress\/index.php\/wp-json\/wp\/v2\/pages\/5187\/revisions\/16214"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.friville-editions.org\/wordpress\/index.php\/wp-json\/wp\/v2\/media\/4750"}],"wp:attachment":[{"href":"http:\/\/www.friville-editions.org\/wordpress\/index.php\/wp-json\/wp\/v2\/media?parent=5187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}